Showing posts with label Hollywood history. Show all posts
Showing posts with label Hollywood history. Show all posts

Monday, October 13, 2025

HOLLYWOOD BOULEVARD MYSTERY HOUSE

    



  When I was a reckless youth roaming the midnight streets of Hollywood there were many places on the Boulevard that thoroughly intrigued me. One was the dilapidated old wooden Victorian house that belonged to the mysterious Janes Sisters.

Located on 6541 Hollywood Boulevard, it was way up on the dreary west end, away from the centralized touristy glitz. I used to love walking past it late at night because it looked exactly like a haunted Halloween house. It seemed so completely out of place on the Boulevard, a curious relic stubbornly remaining from a by-gone era.

A few dim lights glowed eerily from the windows, and every once in a while one of the ancient sisters would peak out from behind curtains and glare at me. It was almost as though I could actually feel her annoyance. Annoying them was never my intention. I was merely fascinated.

I had heard a few sketchy stories about the sisters and their peculiarities. I'd even heard that the house was haunted. I didn't learn the truth until many years later. 

The only resident "ghosts" were the four siblings who lived there for many decades: Mabel, Mary, Carrie, and Donald Janes. By the time I became fascinated with the house, Mary and Donald were deceased. Only Carrie and Mabel remained.


The Janes House as it looks in recent years -
a far cry from the creepy haunted house that I remember.

  The house was built in 1902. Herman and Mary Janes lived there - along with their four children (the aforementioned Carrie, Mabel, Mary, and Donald). In 1911, the women of the household opened a school in the house. It was known as the Misses Janes School of Hollywood. Their pupils included the children of such celebrities as Charlie Chaplin, Douglas Fairbanks, Wallace Beery, and film producer Jesse Lasky.

After Mr. and Mrs. Janes died, the school fell upon hard times. It closed in 1926, but the four Janes siblings continued living in the house. Donald opened a gas station in the front yard, known as Janes Auto Service.



Rare interior photos

By 1964 part of the property was converted into a parking lot. That same year, Carrie's husband died (she was the only sibling who had married). Within a decade, the house fell into decay. A handyman was hired to look after the property. The two remaining sisters, Carrie and Mabel, never ventured outside.

After Mabel died in 1978, Carrie moved into the kitchen and slept in a makeshift window box bed. Carrie is the one who would peer out the window at me. In 1982 Carrie was moved to a nursing home in the valley, where she died the following year at the age of 94.

Fortunately the Janes House didn't suffer the fate of demolition, like so many other historic Hollywood buildings. It was purchased in 1985. The new owners had the entire house moved to the back lot, away from the street. After extensive renovations it was used as a Visitor Center, then it became a restaurant called Memphis, and later a nightclub. So far as I know, it's now a 1920's style speakeasy.(written in 2015)

Although the radical transformation of the house has served varied - and mostly unsuccessful - purposes, it is at least securely preserved for posterity. The Janes sisters would certainly be amazed - and perhaps pleased.



The house is almost unrecognizable from when I knew it. It somehow looks smaller and benign, rather than like the foreboding, decaying oddity that it once was.

Here's an interesting fact:
The Janes House inspired author Harry Farrell to write a novel entitled Whatever Happened to Baby Jane? It later became a 1962 hit movie (and a cult classic) starring Bette Davis and Joan Crawford.

The name of the main character in the book, Baby Jane Hudson, was derived from the surname of the Janes sisters - and the name of a nearby street, Hudson Avenue.

Only in Hollywood.     

                                    

copyright 2015, J. Varga


 

Note:

This is an old post and one of my favorites. I'm rehashing it for those who have never read it.

Cheers, Jon

Of course there will be doubtful and sour people - - scanning histories, praying fervently for errors so they can nail me to a cross and pierce my side.

Remember - - I was there.

You weren't.


I just found out that 6541 W. Hollywood Boulevard is no longer a valid street number. It was valid in 1911.  😵  😾 Many innacuracies abound. It was never near 1727 Hudson , and Hudson and Hlywd. Blvd. do not come to a genuine corner.

The photo on Google which was supposedly taken in 1973, was DEFINITELY taken several years later. The house wasn't moved away from the street until 1985. I know this for an absolute fact. I was familiar with the house in the 70s, and at that time it was in its original place, near the street (Hllywd. Blvd.)

Friday, March 25, 2022

STARSTRUCK

It's nearly impossible to be raised in Southern California and not - in at least some small way - be affected by the movie industry. I was profoundly affected.

The distance of years and a semblance of maturity have slightly diminished my youthful enthusiasm for Hollywood, yet it still lingers with enduring persistence.

I was six years old when my family moved to California. At that long-ago time, remnants of Hollywood's golden past still lingered. The original Brown Derby restaurant was doing a brisk business on Wilshire Boulevard. Ciro's and the Coconut Grove were still hot night spots.

Movie stars were often out and about and sometimes accessible. We saw Harpo Marx on Hollywood Boulevard and Debbie Reynolds at the (then famous) Farmer's Market. I met comedian Henny Youngman on Olvera Street (the famed touristy Mexican street in L.A.) when I was a kid. In my sublime youthful ignorance I'd never heard of him - but got his autograph anyway.

 My father and I were stowaways in a wagon, on the set of Wagon Train somewhere in the Mojave Desert

As a child I had the privilege of seeing numerous TV shows being filmed on location (a friend of our family worked in the industry). Most notably I remember the movie ranch owned by stuntman/actor Ray "Crash" Corrigan, which was located in the Simi Valley, nestled in the scenic foothills of the Santa Susana Mountains.

Later known as Corriganville, it was in active use from the 1930's until around 1965. Hundreds of cowboy movies were filmed there and many TV shows including Gunsmoke, Rawhide, the Cisco Kid, Rin Tin Tin, the Lone Ranger, etc. 
Unfortunately, all the movie sets were destroyed by a series of fires in the 1970's.


Me, age six or seven, inspecting an ancient fire engine on a movie set

My father snapped this photo while a feisty actor from Gunsmoke drew his six-shooter on me (I don't remember the actor's name)

 That's me in front of the fort which was used in the 1948 movie Fort Apache (that was before my time...) and many other movies.

 Here's a photo of the fort taken while they were filming the movie

 

 I never had any aspirations to be an actor or to work in the film industry, but I was still intrigued with it.

When I was in my 20's (and early 30's) I spent a lot of time in Hollywood and had the opportunity to mingle with some of the bigwigs. I met many stars - including John Wayne, Groucho Marx, Shelley Winters, Sammy Davis Jr., Raquel Welch, Cher, Ann Miller, Patty Duke, George Burns, Zsa Zsa Gabor (to name only a few).

Just for the heck of it, I also did a few stints as a movie extra and worked on such enormously forgettable pictures as Malibu Beach and Sgt. Pepper's Lonely Hearts Club Band.

I probably shouldn't ruin my sterling reputation by mentioning this (big *smile* inserted here), but I knew a fairly well-known director of adult films and was on the sets of a few porn movies - including one on location near the old Spahn Movie Ranch, where notorious Charles Manson and his murderous hippie gang used to live.
I even had an offer to be in a gay porn flick but declined. Despite ugly rumors to the contrary, I do have a small semblance of pride and dignity.....

My main interest, of course, was music and I exclusively concentrated on my work as a pianist. 
Yet, my fascination with the film industry later inspired me when I was a freelance writer. I published many articles about Hollywood history (with an emphasis on the silent era). My foremost objective for writing was to resurrect the memory of forgotten stars and films.

My present existence as an impoverished semi-hermit in the Tennessee wilderness is very far removed from my California youth. My Hollywood memories linger tauntingly like echoes of a faded dream.

I cherish them.

 

Note:
this is a rehash from a previous blog post




Friday, April 5, 2019

OVER THE RAINBOW





When I was a small child in New Jersey both of my parents worked and I was often left in the care of my maternal grandmother Anna Gordon Knoll.

My grandmother always called me Jancsi (pronounced Yan-chee), which is an endearing variation of Janos - the Hungarian name for John.

I can still hear that name, lingering softly and gently in an echo of distant memories.

 My maternal grandmother Anna
when she was young
(unfortunately the photo has some damage)


My grandmother sang when she worked around the house. It was an automatic habit that she did effortlessly - resurrecting old songs that I'd never heard before. She had a remarkably beautiful singing voice.

I remember one spring when I was four years old. It was right before Easter. We were in the attic of the house and Grandmom was sorting through some things that had been packed away.

The window was wide open and, along with warm sunlight, the heavenly scent of blossoms and flowers filled the air.

My grandmother started singing Over the Rainbow. I'd never heard the song before, but was overwhelmed by the beauty of it. Even at my young age, I sensed a pang of sweet sadness in the melody and a gentle nostalgic yearning in the words.

Ever since then, every time I hear the song I think of that moment.


The window in my grandmother's attic

It's incredibly ironic that the song Somewhere Over the Rainbow was almost omitted from the 1939 movie The Wizard of Oz.

Producer Mervyn Leroy thought it slowed down the film. He also said that the song was much more suited for a refined singer like Jeanette MacDonald.
And, such a song would never have been sung by a young girl in a Kansas barnyard.

Judy Garland's incomparable rendition not only made the song a classic, it was also awarded an Oscar for Best Original Song (written by Harold Arlen).

In my humble (and biased) opinion, I've always felt that the Over the Rainbow scene in The Wizard of Oz is one of the most perfect scenes ever filmed in cinematic history. There is something extremely satisfying about it.

Some trivia:
Victor Fleming and George Cukor are credited for directing The Wizard of Oz - but all the opening Kansas scenes including the Over the Rainbow scene were directed by King Vidor, who received no on-screen credit at all (Vidor directed some classic silent films, such as The Big Parade and The Crowd).

And some unrelated (boring?) notes:

I saw the original antique sewing machine that was used to make Judy Garland's outfits for The Wizard of Oz. It is on display at the Har-Ber Village Museum in Grove, Oklahoma.

When I lived in Hollywood, I saw several old movie sets from the Wizard of Oz, including the set from the poppy scene (where the characters fall asleep in a poppy field on their way to Oz).
An actor "close friend" of mine took me to see some of the ancient MGM back lot sets.
That was long ago. I don't know if any of the sets still exist.




The video clip of Over the Rainbow isn't mine. I lifted it from YouTube. It's best viewed full-screen. 

Tuesday, February 3, 2015

GOLDEN SILENCE

 


I have an abiding love for silent movies. It undoubtedly has to do with being raised in Southern California and having a lifelong passion for Hollywood history. At an early age I began reading everything available about the stars of the silent screen and the fledgling motion picture industry.

After I moved to Hollywood in my early 20's, I began publishing articles about the silent era. My knowledge was vast, but there was one problem: at the time I hadn't seen many silent movies. I could only rely on what I'd read or heard. This was before the advent of VHS or DVD. Silent films were considered  passe, dead and buried.

My main goal was to revive interest in stars of the silent screen. I published articles about Ramon Novarro, Mary Miles Minter, Theda Bara, Rudolph Valentino, Barbara LaMarr, Pola Negri - -  to name only a few. Surprisingly, I received favorable responses, even some fan mail. It was rewarding.

Some of the first silent films I ever saw were aired on PBS. I also found a few obscure L.A. theaters that screened them - most notably the aptly named Silent Movie Theater on Fairfax (the theater closed in 1996 after the owner was murdered, but it reopened in 2007 as the Cinefamily Cinematheque).

The Silent Movie Theater
on Fairfax in L.A.
(which I haunted regularly)
 
Nowadays, with DVDs, Netflix, TV movie channels (like TCM), and other options, silent movies have been resurrected and are readily available to new audiences.

If you tend to shy away from the concept of silent films, I'd encourage you to watch one. You might be pleasantly surprised. It is an art form unto itself. The sheer magnitude of creativity - without the aid of computerization and modern technology - will astound you.
 
Many silent films have now been restored to their former cinematic glory, with appropriate musical soundtracks. Some films that were presumably lost have been found (like The Unknown).

I've compiled a list of fifteen of my favorite silent films.
 I initially made some notes to make sure my information is accurate, but I lost them just before writing this. Hence, I'm relying solely on my memory, which - -  despite all the alcohol and hard living - - is remarkably good.

I've listed these in the order of the year they were made, rather than by personal preference. Also, this list is drastically condensed. I could easily provide a list of 50.
 

Gish and Barthelmess in "Broken Blossoms"
 
Broken Blossoms (1919), starring Lillian Gish and Richard Barthelmess. A genuine classic, directed by D.W. Griffith. Tender, poetic, and beautifully filmed but  also heartbreakingly brutal and depressing.
 Spoiler Alert: everyone dies at the end.
https://www.youtube.com/watch?v=u_tFnRbzjcA


The Cabinet of Dr. Caligari (1920) An innovative German classic starring Conrad Veidt (who later portrayed Major Strasser in Casablanca).  Although not exactly a horror film, it is indeed horrifying. Haunting, surrealistic and atmospheric.
 

The Four Horsemen of the Apocalypse (1921) Rudolph Valentino and Alice Terry. This features Valentino in his first starring role and arguably his best film. A sprawling, breathtaking  epic of World War I. If at all possible, watch the restored version with the Carl Davis music score.
Valentino in the famous tango scene
"The Four Horsemen of the Apocalypse"
 
 
Ben Hur (1925)  A true masterpiece, which catapulted Ramon Novarro to stardom. In my humble opinion, this film is far superior to the 1959 Charlton Heston remake.
It is now available in a superbly restored version with yet another great Carl Davis score.

Ramon Novarro
in "Ben Hur"

Phantom of the Opera (1925)  Lon Chaney and Mary Philbin. A chilling tale which is still breathtaking after all these years. Beware of the many drastically cut and shoddy copies that still exist. Original running time is 107 minutes.
https://www.youtube.com/watch?v=pXUGswmnpWk

Chaney as the Phantom

The Torrent (1926)  Greta Garbo and Ricardo Cortez.
This romantic drama is gorgeous Garbo's first American film and she doesn't disappoint. The most recent release of this film is enhanced with an exquisite music score composed by Arthur Barrow (former bass guitar player for Frank Zappa). One of the finest scores for a silent film that I've ever heard.
https://www.youtube.com/watch?v=ZuzAYTbqrXY

Greta Garbo

Flesh and the Devil (1926) Greta Garbo, John Gilbert, Lars Hansen. Two former friends fall in love with the same woman, with disastrous results. A superb film, greatly enhanced by Garbo's mesmerizing presence.



Sunrise: A Song of Two Humans (1927) George O'Brien and Janet Gaynor. A strange combination of love, deception, and intended murder that is eventually lightened by curious comedic undertones. This entire film has a spellbinding dream-like quality. The direction (by German director F.W. Murnau)  and cinematography are nothing short of stunning, and the acting is superb.
https://www.youtube.com/watch?v=GnLVMREVA6M


George O'Brien "Sunrise"
 

Barbed Wire (1927) Pola Negri and Clive Brook. A sorely-neglected film that is one of my personal all-time favorites. Set in France during WWI, Negri is a simple farm girl living with her father. After their farm becomes a makeshift site for German prisoners of war, Negri falls in love with one of the prisoners. Consequently, trouble ensues and she is vilified by the people in her village.

Barbed Wire isn't available on YouTube, but I did find this great clip from the film:
https://www.youtube.com/watch?v=RbWyoGik--Q

Pola Negri, "Barbed Wire"
 
 
Metropolis (1927) Alfred Abel and Brigitte Helm. A German expressionistic epic filmed in an innovative futuristic style. After its German premiere the film was drastically cut, and later large parts were lost. After a long restoration process it is now 95% restored.



Wings (1927) Clara Bow and Charles ("Buddy") Rogers. This was the very first film to win an Academy Award for Best Picture and it's a must-see for silent film enthusiasts. An exciting romantic drama which takes place during WWI. The film packs a potent punch and hasn't lost any of its original impact.

Buddy Rogers, Clara Bow, Richard Arlen
"Wings"
 

The Unknown (1927) Lon Chaney and Joan Crawford. Daringly different and bizarre beyond belief. This film was recently revived after being lost for many years. Circus conman Chaney goes through horrifyingly desperate measures to prove his love for young (and almost unrecognizable) Joan Crawford. Directed by Tod Browning - who later directed the original Dracula (1931).
Joan Crawford in "The Unknown"

West of Zanzibar (1928) Lon Chaney and Lionel Barrymore. Another wickedly weird film directed by Tod Browning. A story of insanity and revenge, all culminating on an exotic tropical island. Unfortunately, a few bizarre scenes have been cut, but this doesn't detract from the fiendish allure.


The Crowd (1928) James Murray and Eleanor Boardman. This simple story of an ordinary family is so beautifully filmed and becomes so absorbing that it blossoms into an  unforgettable masterpiece.

Trivia:
actress Eleanor Boardman was married to director King Vidor



The Wind (1928) Lillian Gish and Lars Hanson. A moody and extremely effective psychological drama about a woman from the east who goes to Texas and is driven to the brink of insanity  by the relentless wind (having lived there, I can strongly relate). This is the last silent film Gish ever made and unquestionably one of her finest.

Lillian Gish
"The Wind"
 

This list contains only a small fraction of my favorites. I failed to mention such classics as Intolerance (1916), The Thief of Bagdad (1924), The Big Parade (1925), It (1927),The Pagan (1929), Pandora's Box (1929).

Want comedy? For a refreshing change from Charlie Chaplin, watch any film starring Harold Lloyd or Buster Keaton.

Colleen Moore
Ella Cinders (1926) featuring Colleen Moore is a gem and a real hoot. A spoof on the Cinderella theme. I watched it the other night and couldn't stop laughing.
https://www.youtube.com/watch?v=2WlowTI6Arc

A surprising number of silent films can now be found on YouTube, but proceed with caution. Some of them are great, but others are extremely poor quality copies.

I think I've said too much.
Silence...... is indeed golden.